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The children grow up to become adult versions of themselves. The dynamic stays the same, and the mythology of the prologue residues on the entire story. The evil brother, Mark, is a ruthless businessman whose world of deceit and corruption is on the brink of collapse, and he will fight for it till the end, exposing the most sinister sides of his personality. Richard is the good brother, who, despite his benevolence, is a lost soul. He is an artist and a wanderer, a poet and a lover. Truly, no words can adequately praise John Togo's performance as both brothers. He is simply breathtaking in every single frame he's in, and thank God, he's in almost every one. Not only is he wholesomely convincing as both characters, but he goes above and beyond that. He becomes two people so seamlessly that, not for a single moment was there a doubt in my mind as to who I was watching at any given scene. It's an award-worthy performance, and Togo becomes a leading man of such cinematic proportion, that ...
The Victim
The Employer
Impact Point
Tomorrow You're Gone
Supercapitalist
The Boy She Met Online
My Trip Back to the Dark Side
Jerusalem Countdown
Terror Trap
The Child